It is infinitely more distasteful for a professional female model to say, “I’m beautiful” than it is for a professional male athlete to say, “I’m the best in the game.” But nothing is more offensive than a woman saying, “I’m rich.”

Charlotte Shane, “The Ways We Don’t Talk About Wealth,” The New Inquiry  (via thenewinquiry)

WORLD LIBERATION MOVEMENT (Weekly Liberation Meditations)

WORLD LIBERATION MOVEMENT (Weekly Liberation Meditations)

saturnev0id:

collective-history:

HATHOR:

Hathor is an Ancient Egyptian goddess who personified the principles of love, beauty, music, dance, motherhood and joy. She was one of the most important and popular deities throughout the history of Ancient Egypt. Hathor was worshiped by Royalty and common people alike in whose tombs she is depicted as “Mistress of the West” welcoming the dead into the next life. In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth, as well as the patron goddess of miners.

Hathor is commonly depicted as a cow goddess with head horns in which is set a sun disk with Uraeus. Twin feathers are also sometimes shown in later periods as well as a menat necklace. Hathor may be the cow goddess who is depicted from an early date on the Narmer Palette and on a stone urn dating from the 1st dynasty that suggests a role as sky-goddess and a relationship to Horus who, as a sun god, is “housed” in her.

The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, whilst retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, and associated with Bast.

thestarandgarter:

“The Temple and all that is in it must be destroyed again and again before it is worthy to receive that Light. Hence it so often seems that the only advice that any master can give to any pupil is to destroy the Temple.”

“From thy Forked Tongue speak thy Gnosis from Starry Heaven made, and here cast down the Secret Seraph’s Flaming Blade.”

‘Whisperings from the Void: The Amaranthine Arcanum of Holy Image and Revealed Exegesis” consists of two books that are connected by various threads of thought and philosophy, emotion and praxis, devotion and gnosis. Though sundered, they do united become whole; the force and the form of a path straying between the realms of night and day.

Book I: The Path of the Hermit- an anthology of essays which seek to illuminate by way of written word and artistic fashioning myriad interests regarding such tops as the Void, the Undefined Desire of the Universe as both source and foundation of the material Cosmos; the Womb and opposing Tomb of all existence, the nature of the Self and Consciousnes. The Dualism of Subject and Object including the ever present reality shared between each; A personal account of the Unseen world existing in tandem to our own, as well as its effects upon us and vice versa. The Mask and the Mystery, the reality of the Soul and its placement within the Sorcerous Arte, the inheritance of Sorcerous Fire from the Witch Goddess and the concept of discovery and growth through adversarial opposition. The lighting of the darker paths of wisdom, locating there the ever blazing flame of the Art Magical behind all veils; The true Solitary nature of the Path towards Discovery of Divinity. Of seeking to examine the multitude aspects of Being both as spiritual and earthly entities, as well as exploring our individually created and maintained universe in terms of the emotive, mental, imaginative and phantastic emanations. 

In many ways this work entire must be considered ‘liminal’ in that it inhabits a space betwixt: between the auspices of writ and limn and so too of the peripheries of waking and dreaming, leading beyond worlds of spirit and of the flesh in order to issue forth from a domain of devotion and praxis, Balance and Beauty, the gnostic revelation of Lux Veritas.

Amidst all this is also featured the artwork series ‘Hermit Pathos’: 12 full page renderings, representing various concepts not readily identifiable through the conventions of articulated word, as well as a collection of sorcerous sigils acting as Keys to the world existent beyond all which is scribed: to bypass the filters of conscious mind via symbol, ordaining the opening of the gateways to the unseen and unconscious self to pour through into our world and behold the shadow-realm with eyes of pure light.

“On another level, purely visionary one could say, there exists within us an ‘eye’ of sorts, not just any eye but a Spiritual Eye, that sees and beholds ALL. It resides in the deepest parts of ourselves and yet never ceases to watch, to observe, to look out as well as within. This Eye could be said to be the equivalent of the Third-Eye, the Ajna, the source of what has over time become know as the ‘Second-Sight’, it is via this inner ability to see both the seen and the unseen that we experience visions, partake of the Imaginal worlds, and have the ability to ‘see’ into other worlds, other dimensions. It through attuning this Spiritual Eye through various means such as occult praxis and meditation, rites and rituals, devotion and hard work that we start to open up to the invisible worlds around us, to actually hear the Voices of the Gods and Spirits, and to partake of that Grander Vision of the Universal and Infinite Godhead.”

Book II: The Book of Blood- A treatise of prose serving to describe by various means the Path and Praxis of the Sorcerous Arte: containing prayers, devotionals, rites and modes of Praxis which commit to explaining in detail particular aspects of ritual and spirit-congress, including but not limited to: icons and invocations unto the Masculine and Feminine aspects of the Godhead through various masks called herein the Holy Sorcerous Daemonic Host; those Devils and Angels of the Arte otherwise known as the Intelligences who preside as Patrons of the Dark Arte: a path trampled through the Lands of Nod, those Dreaming Worlds of the Soul leading to the Spiritual fountain of Wisdom.

As a collective of work based upon profound personal experience and dedication to the very Gods typified within, we once more bear witness to the same dynamic fusion of prose and art which includes a series of invocations and sigillic accompaniments pertaining to each God and Goddess by which the complete manifestation of Libri ab Sanguis is intended as presented here through a succession of mystery-rites.

Libri ab Sanguis as featured here in a series of 19 full page icons along with their accompanying text and insignia shall reveal through such twin aesthetics another set of Keys which open out into the vistas of Spirit. Each deity named and petitioned represents a power and as such all image becomes a gateway revealing sigils, features and habitations which both veils and reveals their essence. Though these are but masks they allow equally the discovery of means by which they may be lifted and through which understanding of their true nature may be realised; each must be engendered and embraced if one is to locate the heart of each Mystery as it is envisioned.

“Rituals and rites are about congress with the unseen powers of the Universe, within rite we consciously interact with the powers of Heaven, Earth and the Underworld, with Gods and Spirits both Empyrean and Infernal, it is about experiencing the spiritual aspect of reality whilst incarnate, a way of enfleshing upon the Earth the Mysteries of the Eternal. It can be seen as a process that brings the seeker into communion with Divine Presence and Wsdom, Spirit unto spirit, Soul unto soul and Self unto self, it is about reaching out into Otherness.” 

Each work spoken of above is herein bound and presented as a single breath, One heart: in order to inform and ensoul its twin through a chaotic interplay of artistic phantasia and gnostic revelation.

“In the Blackest Light of Azazel I Illuminate the Secret House of
the Hidden God: shine I with the Radiance of the Divine ever concealedbeneath the Veils of Flesh!”