“Love any as yourself”
“Prove your Work at Daylight”
Chapter One :
The Magical Book.
One as writing a magical Book has to depict both reality and fantaisy, he has to conquer dreams as well as beliefs…
I The Number One*
One is in all and all in one, and he who seeks One in everyone is Blessed.
“A word on blessed* : Blessed is he who Seeks Bliss”
The Number One is the first being first finite and infinite. It is also the first and the last one of an Operation. It is the number that starts and starts again each serial. It is the Truth under the Name and the Number of all Numbers.
One is plain as a Rainbow and apparent as a Cloud, but it is the One the least get, for they seek out of themselves.
Aggrippa says the One is also two, as the Greeks used to say. Papus says one is the Sun but Piobb says it is Saturn and this is a mystery.
“A word about mystery : Mistery is One also and bigger than you think at first. It is the Realm and the Shore, the Middle and the Tie. What is a secret about Mystery I will not tell, but I warmly invite you to take interest in, such a great topic it cannot be acknowledged, so you better start fast.
Everyone knows the basics : We are born little Human Souls in a dark Womb by the True Magic of Love that is not elucidated yet.
The Womb gets clearer and clearer, and we are swallowed through a random -or not, as will be discussed, tiny place and family in this big World.
Ha ! The World ! What is it ?
Well see it as you want but note that the World is Mystery and Mystery is in all World.
Nobody you will ever meet knows the World by Heart. It is too Divine. It is the Whole of All and it is more than Eternal, as far as any possible can guess.
It is the Love in the Look of Thee Saint of All… !”
End of I / I – BoN
**
*
Month: September 2012
Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups… So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.
Odin’s Day
from 1984 by George Orwell
Various depictions of Hecate
Hecate or Hekate is an ancient goddess, sometimes depicted in triple form, variously associated with crossroads, entrance-ways, fire, light, the Moon, magic, witchcraft, knowledge of herbs and poisonous plants, necromancy and sorcery. She has rulership over earth, sea and sky, as well as a more universal role as Saviour (Soteira), Mother of Angels and the Cosmic World Soul.
Hecate may have originated among the Carians of Anatolia, where variants of her name are found as names given to children. William Berg observes, “Since children are not called after spooks, it is safe to assume that Carian theophoric names involving hekat- refer to a major deity free from the dark and unsavoury ties to the underworld and to witchcraft associated with the Hecate of classical Athens.” She also closely parallels the Roman goddess Trivia, with whom she was identified in Rome.
Today Hecate is claimed as a goddess of witches, who sometimes refer to her as a “crone goddess”, although this conflicts with her characterization as a virgin and occasionally as a mother in all classical and historical sources. It has been justified by her role as a triple goddess, which some modern-day Wiccans associate with the concept of ‘the Maiden, the Mother and the Crone’, an interpretation made popular by Robert Graves in The White Goddess, but which has no obvious parallel in the ancient world. This association is rooted in the 20th century with the occult author Aleister Crowley being the first to name her as a crone; historical depictions and descriptions show her facing in three different directions, but (with the exception of the later Greek Magical Papyri which sometimes refer to her having the heads of animals) always with the same maiden face and body.
When you critique the media and you say, look, here is what Anthony Lewis or somebody else is writing, they get very angry. They say, quite correctly, “nobody ever tells me what to write. I write anything I like. All this business about pressures and constraints is nonsense because I’m never under any pressure.” Which is completely true, but the point is that they wouldn’t be there unless they had already demonstrated that nobody has to tell them what to write because they are going
say the right thing. If they had started off at the Metro desk, or something, and had pursued the wrong kind of stories, they never would have made it to the positions where they can now say anything they like. The same is mostly true of university faculty in the more ideological disciplines. They have been through the socialization system.