The true measure of a man is not his intelligence or how high he rises in this freak establishment. No, the true measure of a man is this: how quickly can he respond to the needs of others and how much of himself he can give.

Philip K. Dick (via yourmaj3sty)

wyrdwoods:

Carl Jung described the phenomenon of synchronicity, or meaningful coincidence, whereby two or more unrelated events occur and evoke a numinous reaction in the observer. For example, you randomly think of a friend you have not heard from in years and that same day receive a call from the friend.   

Humans have the remarkable ability to to manifest, to bring to the foreground, meaning and pattern from the chaos of events that surround us. Synchronicity reveals such patterns.  Jung, in conversation with the physicist Wolfgang Pauli, intuited a deeper ordering principle operating within chaos but originating in life. He and Pauli called the field from which synchronicity emerged Unus Mundus – “One World” – in essence the connections that tie everything together and form the basis for synchronicity, divination and magick.

Synchronicity is the strangely wonderful experience of the outer world intersecting in a meaningful way with our inner selves. Magick and divination involve acknowledging and creating space for a field in which the probability of a synchronicity occurring is heightened. 

wyrdwoods:

The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws. ~ Alan Moore

We are wrongly told magick is the ancestor of technology.  Not so but the brilliant and skillful use of technology can be in itself very close to magick.  Magick is not a predecessor of technology but rather kin to art, a manipulation of the elements around us to enhance the likelihood of an effect. In the same way fine art requires a precise touch, so too does magick. This is different from cause and effect, and more akin to chaos theory. The timing, the inflection and our intent mix together to potentially influence a series of chaotic probabilities which may, or may not, result in a precise point of synchronicity. 

The proximity of art and magick cannot be overstated. Failing to see the family resemblance allows advertising agencies and politicians far too much free range I would rather leave to musicians.

We have to resist the temptation to fall into superstition, to propagate popular notions of magick. It is incumbent upon the pagan community to quietly save magick from our fictions at least for the sake of our own understandings. 

Want to be invisible? Don’t think like Harry Potter. Think like an owl. The creatures of the forest don’t try to be invisible. Rather, they seek to increase the probability they will not be seen. They hold still, make no noise, silence their breath as you pass. They participate with their surroundings to increase the likelihood they will remain unnoticed. 

I am certain you see fewer owls than have seen you. 

Magick is not so much a practice but a way of being in the world, a way of living to provide space for synchronicity to proliferate around us. In such a context, everything is connected, there are no coincidences. We don’t “do” magick, we breathe it, move through it and experience everything as part of a unified whole.

We are told ‘no’, we’re unimportant, we’re peripheral. ‘Get a degree, get a job, get this, get that.’ And then you’re a player, but you don’t want to play in the game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that’s being manufactured out of the bones of a dying world.

—Terence McKenna

I think it’s important for any student to keep this in mind throughout the process.

(via nutopiancitizen)

Low wages won’t work

Low wages won’t work

The dead end of liberalism

The dead end of liberalism

Here of course one has to deal with the inevitable objection: that utopianism has lead to unmitigated horror, as Stalinists, Maoists, and other idealists tried to carve society into impossible shapes, killing millions in the process.
This argument belies a fundamental misconception: that imagining better worlds was itself the problem. Stalinists and their ilk did not kill because they dreamed great dreams – actually, Stalinists were famous for being rather short on imagination – but because they mistook their dreams for scientific certainties. Thie led them to feel they had a right to impose their visions through a machinery of violence. Anarchists are proposing nothing of the sort, on either count. They presume no inevitable course of history and one can never further the course of freedom by creating new forms of coercion. In fact all forms of systemic violence are (among other things) assaults on the role of the imagination as a political principle, and the only way to begin to think about eliminating systematic violence is by recognizing this.
And of course one could write very long books about the atrocities throughout history carried out by cynics and other pessimists…

David Graeber, Fragments of an Anarchist Anthropology (Against Anti-Utopianism section)