Mr David Crystalface
“Tree of Life” 2012
Month: December 2014
Ursula K. Le Guin at the National Book Awards
Thank you Neil, and to the givers of this beautiful reward, my thanks from the heart. My family, my agent, editors, know that my being here is their doing as well as mine, and that the beautiful reward is theirs as much as mine. And I rejoice at accepting it for, and sharing it with, all the writers who were excluded from literature for so long, my fellow authors of fantasy and science fiction—writers of the imagination, who for the last 50 years watched the beautiful rewards go to the so-called realists.
I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We will need writers who can remember freedom. Poets, visionaries—the realists of a larger reality.
Right now, I think we need writers who know the difference between the production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not quite the same thing as responsible book publishing or authorship. (Thank you, brave applauders.)
Yet I see sales departments given control over editorial; I see my own publishers in a silly panic of ignorance and greed, charging public libraries for an ebook six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience and writers threatened by corporate fatwa, and I see a lot of us, the producers who write the books, and make the books, accepting this. Letting commodity profiteers sell us like deodorant, and tell us what to publish and what to write. (Well, I love you too, darling.)
Books, you know, they’re not just commodities. The profit motive often is in conflict with the aims of art. We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art—the art of words.
I have had a long career and a good one. In good company. Now here, at the end of it, I really don’t want to watch American literature get sold down the river. We who live by writing and publishing want—and should demand—our fair share of the proceeds. But the name of our beautiful reward is not profit. Its name is freedom.
Thank you.
Amulet with a Lamashtu demon
Date: ca. early 1st millennium B.C.
Geography: Mesopotamia or Iran
Medium: Obsidian
Nyx, Night Goddess by Gustave Moreau (1880)
In Greek mythology, Nyx is the goddess of night. Nyx literally means “Night”.
She was one of the first Protogenoi (elemental deities) to emerge from Chaos, together with Gaia, Erebus, Tartarus, and Eros.
With Erebus (Darkness) Nyx gave birth to Aether (Light) and Hemera (Day), and later – by herself – she birthed Moros (Doom), the Keres, Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Criticism), Oizys (Misery), the Hesperides, the Moirai (the Fates), Nemesis (Retribution), Apate (Deceit), Philotes (Friendship, Love), Geras (Old Age), and Eris (Strife).The Underworld is – according to Hesiod – the home of Nyx and the home of her children Hemera, Hypnos, and Thanatos. Hesiod says further that Hemera leaves the Underworld just as Nyx enters it, and when Hemera returns, Nyx leaves.
Hesiod, Theogony 744 ff (trans. Evelyn-White) (Greek epic C8th or C7th B.C.):
“And there [at the ends of the earth, where sky meets earth], all in their order, are the sources and ends of gloomy earth and misty Tartaros (…) There stands the awful home of murky Nyx (Night) wrapped in dark clouds. (…) Nyx (Night) and Hemera (Day) draw near and greet one another as they pass the great threshold of bronze: and while the one is about to go down into the house, the other one comes out the door. And the house never holds them both within; but always one is without the house passing over the earth, while the other stays at home and waits until the time for her journeying come; (…)”
When Nyx leaves the Underworld, she brings Erebus with her, and places him on the sky, causing the world to darken, until Hemera comes out and scatters the dark mist of night.
Ave Babalon